For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed Luigi Ballerini, professor, poet and author of the complete Italian translation of Spoon River Anthology for Mondadori.
The collective work “The End” becomes the new permanent installation in the hall of Fondazione Cesare Pavese.
Visit our new exhibition: a tribute to Lorenzo Mondo, Cesare Pavese and 20th-century Italiana literature in letters, books with original inscriptions and first editions
For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed professor Jason Stacy about Spoon River America.
For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed scholar Julianne VanWagenen about her studies on the Spoon River Anthology.
For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed Tommaso Munari, author of a recent essay on the history of Italian publishing.
For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed Sara Vergari, author of the essay Un “Pavese solo”.
For our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed once again Lawrence Smith, this time about his English translation of Cesare Pavese’s degree thesis.
Rootedness, migration, and translation in Cesare Pavese’s work: for our themed column on Pavese’s contemporary critique, Iuri Moscardi interviewed Federica Di Blasio.
First editions, unpublished and original material celebrate 20th-century Italian literature and in particular the relationship between Cesare Pavese and Italo Calvino.
FONDAZIONE CESARE PAVESE
Piazza Luigi Ciriotti, 1
12058 Santo Stefano Belbo (CN)
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